A dye field full of flowers, bees and butterflies at sunset, with rolling hills behind

Tincturian

Making colour with nature

Scroll to read

Making colour with nature

Growing colour.
Growing nature.

Most of the colour in our clothes is made from oil. We think it should come from a field.

Tincturian grows the plants people have dyed cloth with for thousands of years: woad for blue, madder for red, weld for yellow. While they grow they feed bees and butterflies and give wildlife a home. We also take colour from waste that food, farming and other industries throw away. Then we turn it all into dye for natural fibres, with no synthetic chemicals.

Marigolds flowering at dusk, a source of yellow and orange dye

Our crowdfunder is live

Help us kit out our dye shed and classroom.

We are raising £15,000 to turn our shed into a working dye studio, seed store, classroom and events space: a place where plants from the fields and waste from industry become colour, and where people can come and learn about and work with natural colour. Every pledge, big or small, helps fill it.

Plans for the dye shed: a 50 by 20 foot steel building with a translucent front, a sliding door and rainwater collection

How it works

From a seed
to your scarf

It is an old, slow way of making colour. We are bringing it back at a scale that can help the land as well as the clothes we wear.

A spire of golden flowers, backlit in evening light01 · GrowWe sow dye plantsIn fields looked after as homes for wildlife, not just for the harvest.
A honeybee with orange pollen on yellow flowers02 · FlowerNature moves inAll summer the plants flower, feeding bees and butterflies and building healthier soil. About nature recovery
Marigold petals drying after harvest03 · DryWorked on siteAfter harvest we dry and process on site in a specially built barn designed to maximise natural warmth.
Hands lifting nettle cloth out of a blue dye vat04 · DyeFibre takes the colourLeaves, flowers and roots become dye, and fibre is dipped until it holds the shade.

Why colour should be natural

Synthetic dyes are one of the most ignored and harmful parts of making textiles, for the planet and for us.

We think we can do better.

Most textile colour today is made from petrochemicals and fixed with heavy metals. Dyeing uses huge amounts of water, and the waste ends up in rivers.

Synthetic dyes are less than 170 years old: the first was made in 1856. Before that, every colour came from plants, insects and minerals. That knowledge is our root, and we are scaling it up for today.

Our colour

Four ways we
make natural colour

Some colour we grow. Some we rescue from industry waste. All of it is fixed and finished without harmful chemicals.

A field of orange marigolds in bloom01Dye crops25 acres of dye plants in the South West, grown on land managed for bees, butterflies and birds.
Split pomegranates with their red seeds02Industry wasteA second harvest from what food, farming and forestry throw away. Pomegranate skins give green and tannins.
Freshly split logs showing orange wood and bark03Clean mordantsBark gives colour and tannins that help fix dye to fibre, without heavy metals.
Dusky purple yarn wound in a coil04OverdyeingDipping one colour over another to open up a whole palette from just a few plants.

25 acres

Our dye
fields

We are planting 25 acres of dye crops in the South West. Not all that is green supports biodiversity. We hope to change that by planting this lifeless monoculture of grassland with heritage dye plants.

A mix of annuals and perennials, grown on land managed for wildlife, with no chemicals. After harvest everything is dried and worked on site in a barn built to make the most of natural warmth.

About nature recovery

The field today, before planting

Waste as dye

A second
harvest

Industry throws away a lot of colour. Skins, husks and stones from food producers, cuttings from farms and bark from forestry all become dye. What is left goes back to the fields as compost.

A heap of walnuts in their shells
Walnut husks, for browns
A pile of brown onions
Onion skins, for golds
An avocado stone beside its empty skin
Avocado, for pinks and tannins

Clean mordants

Fixing colour
without the harm

A natural dye needs a mordant to bind it to the fibre, and a modifier to shift its shade. Most rely on metal salts such as alum and iron, which can end up in waste water.

We are developing mordants and modifiers from plants instead, using the tannins in bark, pomegranate and avocado. No heavy metals, so the whole process is as clean as the colour it starts from.

Overdyeing

A few plants,
a whole palette

Overdyeing means dipping fibre in one colour, then another. Weld yellow under woad blue gives green. Madder red over woad gives purple. Lighter or deeper dips shift every shade again.

It lets us make a wide range of colour from a small number of plants, so we grow less and waste less. It also gives old cloth a new life: a faded piece can be dyed again rather than thrown away.

Cupped hands full of dried dye leaves above indigo-dyed cloth

Clean all the way

Kind to rivers,
kind to skin

We collect and reuse the water from our dye pots, and when we need heat, it comes from the sun. No heavy metals go down the drain.

Made to be kept

Embrace
the fade

All colour fades in time, natural or synthetic. Naturally dyed cloth softens with you, can be dyed again for a longer life, and breaks down without harm at the end.

More about our colour

Colours from plants

What a field
can colour

We intend to dye animal and plant fibre, yarn, cloth and clothing using only the natural dyes we grow and process.

In a clean system we will only be using circular rainwater collection to negate fresh water use, and renewable energy harvested on site.

Skeins of naturally dyed yarn in reds, pinks, oranges, golds, browns and blues
Rust orange yarn
Rust, from madder root
Cones of yarn in blue, navy and pinks
Ready to weave
Close-up of red and black woollen cloth
Deep reds
Lengths of dyed tape hung to dry in pink, orange, yellow and olive
Hung to dry

Mailshots from the field

Can't pledge
right now?

Sharing the campaign helps just as much. Or join our mailshots for news of sowing, flowering and the first dye pots.